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Clint shoots arrows.

Lots of arrows.

Lots and lots of arrows.

Suddenly, the writer recalls that not once in the previous five chapters has Clint been shown with his quiver or his bow. Or even his nifty little bow-box.

The writer wails in frustration and goes back to remove all the arrows from the narrative -- because in this particular case, no, he shouldn't have had the bow and arrows available.

(Fortunately, this kind of improved the "raising the stakes" part of the big action sequence. But it's still a pain.)

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